- 相關(guān)推薦
《雷雨》戲劇沖突之我見
摘 要
《雷雨》中存在著許多戲劇沖突。本文分別對如下沖突做了闡述,有:魯貴與4鳳的沖突;周樸園與魯大海、侍萍、蘩漪3者之間的沖突;蘩漪與周萍的沖突,等等。學(xué)界研究《雷雨》主要沖突的見解很多。但是,每個(gè)評論者都側(cè)重以沖突表現(xiàn)的激烈程度為依據(jù),來判斷哪對沖突是主要沖突。這是欠準(zhǔn)確、欠全面的。本文將通過運(yùn)用馬克思主義哲學(xué)原理來確定主要戲劇沖突衡定的標(biāo)準(zhǔn)和原則,并將主要矛盾沖突與主要戲劇沖突區(qū)分開來:《雷雨》的主要戲劇沖突是蘩漪與周萍的沖突,因?yàn)檫@對矛盾最能抓住觀眾的心,最能體現(xiàn)作品的主題思想,也最能表現(xiàn)人物的性格;而主要矛盾沖突是起著領(lǐng)導(dǎo)和決定其他矛盾的作用,應(yīng)該表現(xiàn)為兩組沖突,即以周樸園為沖突的1方,所構(gòu)成的他與蘩漪、與侍萍之間的矛盾沖突。
關(guān)鍵詞:《雷雨》;矛盾沖突;主要矛盾沖突;戲劇沖突;主要戲劇沖突
ABSTRACT
Thunderstorm in the dramaturgy has many conflict of dramaturgy. This article has made the outline separately to the following conflict, has: Lu Gui and Si Fei conflict; Zhou Puyuan and Lu Dahai, Shi Ping, Fan Yi three between conflict; Fan Yi and Zhou Ping conflict, and so on. The educational world studies Thunderstorm the main conflict of dramaturgy opinion to be very many. But, each commentary all stresses take conflicts the performance intense degree as the basis, which judges to the conflict is the main conflict of dramaturgy. This is owes accurately, owes comprehensively. This article through using the Marxist philosophy principle determined the main conflict of dramaturgy the graduated arm decides the standard and the principle, and differentiates the principal contradiction conflict and the main conflict of dramaturgy: Thunderstorm the main conflict of dramaturgy is Fan Yi and Zhou Ping conflict, because this most can hold audiences heart to the contradiction, most can manifest the work the main thought, also most can display characters disposition; But the principal conflict of contradictory is leading and decided other contradictory roles, should display are two groups of conflicts, namely take Zhou Puyuan as a conflict side, he which constitutes with Fan Yi, with Shi Ping between the duckweed the conflict of contradictory.
Key words: Thunderstorm; Conflict of contradictory; Principal conflict of contradictory; Conflict of dramaturgy; Main conflict of dramaturgy
【《雷雨》戲劇沖突之我見】相關(guān)文章:
從戲劇沖突和語言特色看《雷雨》的悲劇意蘊(yùn)論文04-26
股票增發(fā)之我見06-03
淺析朱自清文字之我見05-30
《馬拉喀什》的戲劇性05-31
如何解決渠道沖突06-15
戲劇影視論文參考文獻(xiàn)04-22
對民事審判監(jiān)督程序改革之我見05-23