奇異的吉普賽精靈
摘 要
吉普賽是1個擁有著苦難發展史并保留著自己民族傳統的流浪民族。19世紀上半期歐洲浪漫主義文學處于上升的時期，文學家秉著“自然”、“激情”的美學追求把目光投向了吉普賽人，并樂于把1些吉普賽女性作為文學表現的對象，其中代表性作品有雨果的《巴黎圣母院》、普希金的《茨岡》、梅里美的《卡門》。《巴黎圣母院》中的愛斯梅哈爾達是真善美的化身，是內美外秀的優美之精靈，《茨岡》中的金斐拉是純樸自然的樸素之精靈，而《卡門》中的卡門則是放蕩不羈，奉行“不自由，毋寧死”的野性之精靈。這3個吉普賽女性形象雖然各具特色，但她們都具有吉普賽女性優美的形體、自然狀態的愛情觀與生存方式。
關鍵詞：吉普賽文化；《巴黎圣母院》；《茨岡》；《卡門》；女性形象
ABSTRACT
The gypsy is having the misery history and retains own nationality tradition to roam about the nationality. On 19th century half issue of European romanticism literature is in the rise the time,
The writer is holding "the nature", "the fervor" esthetics pursue went to Gypsy the vision, And is glad some gypsy females takes the literature performance the object, Representative work has "Notre Dame cathedral", Pushkin "Tribulus Post", Merimee "Carmen"."The Notre Dame cathedral" center love Hall reaches is the true, the good and the beautiful incarnation, is in outside America Xius exquisite demon, "Tribulus Post" center Jin Feila is the simple natural simple demon, But "Carmen" center Carmen is unconventional, carries out "is not free, does not do " demon of the fond of the countryside. These three gypsies feminine image although each characteristic, But they all have the gypsy females exquisite physique, natural state love view and the survival way.
Key words: Gypsy culture; "Notre Dame cathedral";"Tribulus Post";"Carmen"; Feminine image.
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