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語言文學(xué)畢業(yè)論文-奇異的吉普賽精靈—吉普賽女性形象分析
摘 要
吉普賽是1個(gè)有著苦難經(jīng)歷并保留著自己獨(dú)特傳統(tǒng)的流浪民族。19世紀(jì)上半期歐洲浪漫主義文學(xué)處于上升的時(shí)期，文學(xué)家秉著“自然”、“激情”的美學(xué)追求，把目光投向了吉普賽文化，并將吉普賽女性作為表現(xiàn)的對(duì)象，其中代表性的作品有雨果的《巴黎圣母院》、普希金的《茨岡》和梅里美的《卡門》。《巴黎圣母院》中的愛斯梅哈爾達(dá)是真善美的化身，是內(nèi)美外秀的優(yōu)美之精靈；《茨岡》中的金斐拉是純樸自然的樸素之精靈；而《卡門》中的卡門則是放蕩不羈、野性自由之精靈。這3個(gè)形象雖然各具特色，但她們都具有吉普賽女性優(yōu)美的形體、自然狀態(tài)的愛情觀與生存方式。
關(guān)鍵詞：吉普賽文化；《巴黎圣母院》；《茨岡》；《卡門》；女性形象
ABSTRACT
The gypsy is has the misery to experience and retains own unique tradition to roam about the nationality.On 19th century half issue of European romanticism literature is in the rise the time，the writer is holding the"nature", "the fervor" esthetics pursue, went to the gypsy culture the vision, and takes the gypsy female the performance the object, representative work has Hugo Notre Dame of Paris, Pushkin Tribulus Post, Merimee Carmen.Notre Dame of Paris center La Esmerelda is the true, the good and the beautiful incarnation, is beautiful appearance, in a sincere and honest character exquisite demon;Tribulus Post center Jin Feila is the simple natural simple demon;but Carmen center Carmen is unconventional, demon of the fond of the countryside freedom. These three feminine image although each characteristic, but they all have the gypsy females exquisite physique, natural state love view and the survival way.
Key words: Gypsy culture; Notre Dame of Paris;Tribulus Post;Carmen;
Feminine image
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